A brief, pictoral history of Scollay Square is just below. Lots of other pictures and information are available using the links on your left. Of course, the whole history of Scollay Square is in these books, which you can buy here:
Includes 180 photographs and postcards, many of which have never been published before, including extremely rare views backstage and on stage at the Old Howard. $19 plus $2.00 S&H (U.S. only) Use VISA, Mastercard or PAYPAL. Email for orders outside U.S.
$19 plus $2.00 S&H (U.S. only) Use VISA, Mastercard or PAYPAL. Email for orders outside U.S.
"This delightful book, now in its second edition, gives the full history, with all the tassels twirling, the sailors swooning, the beer halls filled with guzzlers, and so on. A really fine book about... the Boston that's gone."
David Brudnoy, WBZ radio, BostonBUY BOTH AND GET FREE SHIPPING FOR $38 Email if you have any questions, are overseas, or wish to arrange another form of payment.
History of Scollay Square
In what is today Government Center, near the traffic island at the intersection of Cambridge and Court Streets, the four-story building shown above stood during the latter part of the 18th century. In 1795 it was bought and named for its owner - William Scollay. Citizens, horse car and stagecoach drivers alike began to call the spot Scollay's Square, and by 1838 the city made the name that everyone was using anyway, official – and Scollay Square was born. (Courtesy of the Bostonian Society / Old State House)
It was from the beginning of Boston’s history home to the elite and ruling class. John Winthrop (the founder of Boston and first Governor of Massachusetts) lived nearby, as did many other city and state officials. During the siege of Boston in 1775/76 the Brattle Square Church housed British troops. Today, this site would be the base of City Hall at City Hall Plaza. (Courtesy of the Bostonian Society / Old State House)Near the base of Cotton Hill (one of the original three Trimountains - Mt. Vernon, Beacon, and Cotton - that were collectively known as Beacon Hill) was the home of Gardner Greene, whose backyard was landscaped into a beautiful terraced garden that was, for many years, a favorite attraction among 18th century Bostonians. (From "One Hundred Years of the Suffolk Savings Bank," pub. 1933)Mr. Greene's home was torn down in 1832 and his backyard (Cotton Hill) was torn down, its dirt used to fill in a part of the Charles River. The now flattened Cotton Hill was christened Pemberton Square, and a neighborhood of bow-front homes were built there. From Howard Street to Beacon Street a row of buildings was constructed and called, appropriately enough, Tremont Row, which was a collection of shops and boutiques. In the 1850s it was home, in a room on an upper floor, to J J. Hawes, one of Boston's first photographers (or daguerreotypists, as they were then known) set up shop. (Courtesy of the Bostonian Society / Old State House)
Just around the corner from Tremont Row was Howard Street, where the Howard Athenaeum entertained a generation of Bostonians with some of the finest actors and actresses of the English speaking world, including the great Junius Booth, his upcoming December 14th, 1848 performance being promoted in the above broadside. Junius was head of an entire family of classical actors, including James Wilkes Booth, whose fame would turn to infamy with his assassination of President Abraham Lincoln in 1865.
On Tremont Street between Pemberton Square and Beacon Street (also along what was known as Tremont Row) and just across the street from the Boston Museum, was the office of Dr. William Thomas Morton, who is credited by some as the discoverer of ether as an anesthetic. Here he opened the first dentist office to offer “painless” dentistry, and advertised such in the Boston Post in the 1840s. Also note the ad just above Dr. Morton's, for a book binder on Cornhill.
That this section of Boston was , at the time, geared for the well-to-do is underscored by the dance academy opened by Lorenzo Papanti. As described in Cleveland Amory's classic, The Proper Bostonians (E.P. Dutton, 1947) Papanti was "a tall, skeleton thin, fiery tempered Italian Count..." who became a favorite of Mrs. Harrison Gray Otis, who had chosen the Count as her partner to dance the first waltz ever seen in Boston.
Amory wrote that "...By 1837 Papanti has become so successful that he was able to move his academy to a new and palatial quarters on Tremont Street [this side of which was also known as Tremont Row]. Here he built a hall with a $1200 chandelier, five enormous gilt-framed mirrors and the first ballroom floor in America to be built on springs." Amory later wrote that "...it was on Papanti's sprint floor that four generations of Boston's best - from 1837 to 1899, when the hall finally closed - were initiated into the art of the Boston ball beautiful." (pg 262, Proper Bostonians)
The Papanti Dance Studio is also where Charles Dickens read from his novel, The Pickwick papers during his first visit to Boston. (Courtesy of the Bostonian Society / Old State House.)
Just behind Tremont Row was Cotton Hill, named for John Cotton who settled there in the early 1600s. In 1832, Patrick Tracy Jackson cut off the top 70 feet of Cotton Hill which he used to fill in an area north of Causeway Street to build a train station. Where Cotton Hill once stood, Jackson built a neighborhood of bow-front homes which he called Pemberton Square, which for many years was THE address for Boston’s elite and well-to-do. (Courtesy of the Bostonian Society / Old State House)
The American House, on Hanover St., was one of the largest hotels in New England, and widely regarded as one of the best during the mid-1800s. Rebuilt in 1851, it featured a grand dining room capable of seating more than three hundred people. It was written of the ballroom that "when lighted at night it is one of the most brilliant halls in Boston, having at either end mammoth mirrors reaching from the floor to the ceiling." The hotel was actually built on the site of four older hotels, Earle's, the Merchant's, the Hanover, and the old American House.
On September 17, 1880, a statue of the first governor of Massachusetts, John Winthrop, was dedicated in Scollay Square. Sculpted by Richard Greenough, it was a duplicate of the statue that had been placed in the U.S. Capital. That the city chose Scollay Square as the site for such an important piece of public art speaks volumes about its stature of Square in Boston at the time. Read more about the statue in Francis Bremer's web essay "Remembering–and Forgetting–John Winthrop and the Puritan Founders."
When the Irish came to Boston in the 1840s they settled first in the Fort Hill and North End neighborhoods, then into the West End. The Irish – and other ethnic peoples that followed in the mid- to late-1800s, changed the character of Boston. (Courtesy of the Bostonian Society / Old State House)
As the elite abandoned the West End and Scollay Square and moved further up Beacon Hill and into the Back Bay (which was under construction beginning in the 1850s), Tremont Row and the surrounding businesses in Scollay Square adopted to meet the needs of the immigrant class. The Square became, by the 1880s, the center of commercial activity in Boston.
Among the commerical actvity that thrived here were restaurants, bars, and theaters. With the success of The Old Howard came other venues, such as Austin and Stone’s Dime Museum, which opened on Tremont Row in 1881 and was a mainstay in Scollay Square until it was torn down in 1912 to make way for the Star Theater. Click on the thumbs above to see full-size views from a promotional handout for the theater.
Scollay Square’s Olympia was a popular theater where performers such as Milton Berle performed. Weber and Fields, Fanny Brice, Fred Allen, the Marx Brothers, George Burns, and many others were mainstays of live stage shows at this and other theaters, but by the 1910s even the most traditional theater owner had to bow to the new technology and install motion picture equipment. (Courtesy of the Bostonian Society / Old State House)
One of the most acclaimed American etchers of the early twentieth century was Dwight Case Sturges, who was born in Melrose and studied at the Cowles Art School in Boston. Sturges made this etching of Scollay Square probably in either 1912 or 1913, when the subway line from East Boston was extended to Bowdoin Square and points north.
Scollay Square played a large role in the 1919 Boston Police Strike, perhaps none more
dramatic than the cavalry charge, ordered by Governor Calvin Coolidge, to disperse the huge mob which had gathered there. The story is told in detail in Always Something Doing. Another great source is Francis Russell's book on the strike, City in Terror.
It's 1924 and we are looking at the Scollay Square subway station, surrounded by the newsboys who used to gather there to collect their papers before setting off to "hawk" them at city corners. This gathering point was known to the paperboys as "the Canada Point" (What does "Canada Point" mean? See this web site for an explanation.)
On a rainy day in 1933, someone took a photograph from in front of the Sears Crescent Building looking up Tremont Street. The imposing granite building across from Epsteins Drug Store is the Suffolk County Savings Bank, which was celebrating its 100th anniversary that year. (1933, for those who remember, was not the best timing for a bank to be celebrating anything...) (From "One Hundred Years of the Suffolk Savings Bank," pub. 1933)
Looking up Cambridge Street into Scollay Square soon after the war (note the sailor in the lower right-hand corner near Simpson’s Loan). Those wonderful subway kiosks are long gone, but the Square is still a transportation hub. It’s also a highly popular destination, as evidenced by the all the double-parking in front of places such as the Crawford House, Jack’s Lighthouse, and, under the PM Scotch sign, the famous Half Dollar Bar. The Crawford House was, most notably, the "home" of Sally Keith, whose remarkable act is chronicled her own pageon this site. (Courtesy of Robert Stanley)
Jack Frost (undoubtably a nom de plume) published a small collection of sketches in a booklet he titled "The Old Home Town" in 1945. The caption of this one says "Scollay Square from Tony Ruggiere's Barber Shop." It's a great view looking towards Tremont Row and Pemberton Square. Note the Amusement Center next to the Waldorf cafeteria.
Opened in 1909 by two West End barbers, Joe and Nemo’s hot dog stand quickly grew into one of Boston’s most popular restaurants. It’s proximity to the Old Howard (located just down Stoddard Street to the right of the store) certainly helped, but the store also generated tremendous loyalty by providing good, inexpensive food. (Courtesy of the Trustees of the Boston Public Library)
As plans for Scollay Square’s replacement were being formed (this site has two whole pages of photos on the Square's last days and demolition), a group of theaterically motivated citizens, along with Ann Corio and other former Burlesque stars tried to raise money to save the Old Howard from the destruction. But on June 21, 1961, a “mysterious” fire of “unknown” origin (the quotation marks are deliberate – the fire department’s report could find no cause for the blaze) swept through the 115 year-old theater and before the last embers had died out, several cranes moved in and tore down its walls, rendering rennovation impossible. (Author's collection)
Looking straight up the new alignment of the subway in Government Center. The JFK Federal building rises along what used to be Hanover Street. The elevated Central Artery (which cut off Hanover and other streets from the North End and Waterfront) can be seen in the background. Foundation work for Boston’s new City Hall is about to begin. (Courtesy of Dick Keough)
No more tassels. No more hot dogs. No more fun. Government Center replaced Scollay Square in the early 1960s when Boston, desperate to prevent a slide into urban obscurity, secured over $40 million in federal funds to tear down this fading hot spot and replace it with a collection of city, state, federal, and private office buildings. (Author's collection)
Well, almost no fun. On February 5, 2002 over a million people jammed Boston's streets to watch a parade for the Super Bowl Champion New England Patriots. The parade ended up here at Government Center at Scollay Square. Ty Law was no Sally Keith, but everyone in attendance appreciated his moves. If nothing else, the event shows the immense need for a true civic space, and the inadequacy of City Hall Plaza - in its current configuration - to accommodate those needs.
